My music-making is rooted in a love for community and connection. Collaborative art cultivates curiosity and empathy, two qualities that I want to see more of in our society. I believe that we create the most impactful performances when we discuss musical ideas collectively and identify themes in the music that are relevant to our own lives. I value strengths-based and supportive rehearsal spaces because we are at our most vibrant when we feel valued as individuals. Artistically I am happiest when blending musical genres in technically demanding ways. I seek out artistic partners who are self-aware, self-reflecting and informed about systemic oppression and privilege. I especially enjoy collaborating with choreographers and exploring the infinite intersections between music and movement. 

I am a strong sightreader of both notated music and chord charts. I have ears the size of a house. I am fluent in classical, musical theater, and pop genres. I am equally comfortable directing musicians as I am following a baton. You can find me playing in the Glorya Kaufman School of Dance at USC; Herb Alpert School of Music at UCLA; studio sessions; musical theater productions (click here for a list of shows I've played); and on stage with instrumentalists and vocalists (click here for a partial rep list).  Click here for a list of songs I play on repeat.

Acknowledgments: 
I am forever grateful to Margreet Francis at The Hartt School for showing me how to collaborate with grace,  integrity, and kindness. Much gratitude to Dr. Tali Tadmor (CSUN), Jim Ahrend, Michael Anthony, and Keigo Hirakawa for their feedback and encouragement. Much love always to JVZ for his steady support.